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Upcoming
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10-2024 Leipzig ZIMMT (ensemble modele reduit / duo with tba LeipziXP Fe
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2022 SEANAPS Festival / 2021 Stream bei SphereRadio / Residenz Christian Wolff 2020
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2023 at Pilippuskirche - Lucian Patermann Exhibition KREIS Leipzig
2022 Konzertreihe Lile (curated by sebastien branche) HITNESS CLUB (stream) with http://www.corneliafriederikemueller.de/
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Currently working on new thing to come! Found some super things: by modelling our sounds in supercollider as intermodulation…
21.6. 2023 ex:in chemnitz fete de la musique
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27.6.2023 Eröffnung Ausstellung Abram Mittelmann Jüdische Woche Leipzig
03.09. 23 Kulturbahnhof Leisnig mit Kathryn Doehner/Geige, Christoph Schönbeck/Kontrabaß
03.10. 23 Hanse 3 Dresden mit Elena Schoychet/Klavier, Klara Fabry/(Baß)Klarinette
05.11. 23 Brick 15 Wien mit Belma Bešlić-Gál/Klavier, Maximilian Ölz/Kontrabaß
27.01. 24 TONALisaal Hamburg mit Lal Karaalioglu/Klavier, Zacharias Faßhauer /Kontrabaß
04.04 24 Goethe Institut Lyon mit Fabienne Charles/Klavier, Lycie Lacour/Cello
07.04.24 Le Beal, Taulignan
12.04 24 Waldorfschule Heidenheim mit Mädchenchor, Kristin Geißler/Klavier, Benjamin Klitzke/Euphonium
15.06 24 jüdische Tage Chemnitz mit Chor Unity,Valérie Suty/Gesang, Wassim Mukdad/Oud, Andreas /Bratsche
21.06. 24 Fête de la musique Leipzig mit Fabienne Charles/Klavier, Lucie Lacour/Cello
07.07.24 Herrsching am Ammersee mit Ludwig Himpsl/Percussion, Alphorn
02.11.24 Stuttgart, Bürgerhaus Rot in Zuffenhausen mit Andreas Krennerich/Saxophon
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20.5. Orgelgala Paulinum Leipzig UA Momentum by Daniel Beilschmidt f zwei Orgeln und Quarztiegel
11.8.2023 Caputher Orgelsommer
Pina Bettina Rücker - Quarzklangschalen / David Michalke - Moog-Synthesizer und Elektronik/ Daniel Beilschmidt - Orgel
Das freie Improvisationsensemble "Konferenz der Interferenzen" bringt das jahrhundertealte Instrument Orgel mit wesentlich jüngeren Instrumenten zusammen. In Klangerzeugung und Klangbild durchdringen sich elektronische und akustische Klänge zu einem sensibel ausgehörten Soundstream. Die drei Leipziger Musiker gestalten Klangskulpturen zwischen der Grenze des entstehenden Klanges und vielschichtiger Entfaltung.
Beilschmidt ist Altenburger Schlossorganist und Leipziger Universitätsorganist, Michalke aka "Danger Dave" Produzent elektronischer Musik und Rücker mit ihrer umfangreichen Sammlung magisch tönender Quarztiegel vielfältige Improvisations-Ensemblepartnerin.
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female artists reichen abgelehnte produktionen ein
Echoes of antiquity meet modern crises in Pina Rücker's "Flugwesen". This mixed media marvel is not just sound to your ears; it's a historical dialogue, a whisper of species lost, and a quest for consciousness in our silicon age. A church hymn from the Thirty Years' War finds new life, reaching out to us across time, urging us to ponder our existence and the world we shape. From quartz bowls to semiconductor roots, this piece is a sonorous blend of the sacred and the scientific. Recommended: Engage with "Flugwesen" in solitude, let the intimate distress of history's prayers guide your contemplation at the Salon de Refusées.
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11.5. Neue Musik im Fläming Coswig Simonetti Haus
11.5."Cri de coeur" Coswig, Saxophon-Hayden Chisholm
16.6."Cri de coeur" Gedok, Stuttgart, Saxophon-Andreas Krennerich
20.9."Cri de coeur" Loco (CH), Saxophon-Hayden Chisholm
26.10."Cri de coeur" neue Musik HDH, Saxophon-Hayden Chisholm
27.10."Cri de coeur" Zoglau, Saxophon-Hayden Chisholm
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Der Physiker Prof. Jürgen Vollmer und Dr. Veit Heller vom Musikinstrumenten - Museum Leipzig untersuchen und beschreiben zusammen mit SEUNGLOK PAIK (Snow Paik) und Pina Rücker Phänomene auf Basis der Klänge der Siliziumtiegel - für die Teilnehmer von „Jugend forscht“.
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13.10.Ruprechtskirche
WARP builds an intricate setup for their music. They play with, and balance, waves and feedback phenomena that are produced and nourished with different sources. They work with vibrating glass and air, with airy columns inside the wooden tubes of a bass recorder, and inside the con- certina, with pulsing reeds made from steel, with analog and digital electronic sources, with microphones and speakers, while every sound is being reflected by the old stone walls and the wooden booths inside the church, by the bodies of the audience present. The reflections nourish and unbalance the music and vice versa. For the musicians including the sound designer, sonic fragility is not a quality or a fixed state of being, it is a process between materialities. It is about becoming active as a performer, it is about doing things. We recognize fragility as an activity and relationship: intra-acting, penetrating, interfering, blocking, directing, sharing. Is it false or is it true? A semi-stable, always-evolving material interaction which is audible. It is an ongoing victo- rious love affair of making, and listening to, waves and vibrations.
WARP envisions Ruprechtskirche as a crucial collaborator, activating and enlivening the sound in ways that are by turns predictable or spontaneous. As both the oldest church in Vienna and a unique acoustic atmosphere that is both reverberant and warm, this space is ideal for exploring the temporal and cumulative character of analog feedback. In collaboration with Ruprechtskirche as a spatiotemporal instrument, WARP aims to explore the unexpected sonic potentials of both stability and fragility, including the conflicting yet balanced tendencies for accumulation and ad- aptation, for continuity or abrupt change.
Pina Rücker, quartz glass bowls in microtonal tunings
Pia Palme, bass recorder (Kueng) as an analog feedback aerophone
Kristina Warren, electronics, concertina, feedback
Christina Bauer sound design provided by NMR, 6 speakers
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Star Trek Concert Series at AiR Zvjezdane staze, Bosnia August 2024
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Stolac, Bosnia 25.07.2024 Composer Belma Beslic_Gal
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solo at experimance festival saarbrücken 12.7.2024
PAST
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2021 LEIPZIG JAZZTAGE RUECKER_ BRANDT_ BINAURALES BEAT-BAD Ein faszinierendes Spiel mit (körperlichen) An-und Abwesenheiten.
TROTZDEM YEAH @GFZK LEIPZIG 25.6. - 17.10.2021 marek brandt triphaze + pina ruecker music / inka perl visuals // curated by cfm
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TORPOR by Laure Boer.
2021 vierte welt berlin W L.Boer electr./Evelyn Saylor von./electr.
2022 morphine records berlin w Tintin Patrone tromb / Cedrik Syrphe electr. / Dayang Aiola / Evelyn Sailor voc.+electr. and Tuusa Agostino
The score addresses the difficulty to relate to the abstraction of the covid-19 pandemic on a global scale on one side, and the falling in a period of torpor on a personal scale on the other side. The composition is built both, on the Robert Koch Institute’s statistical data of the number of deaths due to the pandemic in Germany as well as on photographs of everyday life during this period.
The first part of the score was based on the four seasons of the year 2020 and was presented as part of “Composite by the Numbers” (curated by Dayang Yraola). For CLOUDS ON CLEAR SKY, the score will be extended by 3 additional seasons corresponding to the duration until the launch of the project in September. For this edition, the piece - which can be performed by 3 to 13 musicians - will be interpreted by Laure Boer (dan bau), Pina Bettina Rücker (quartz sound bowls made of silicon) and Evelyn Saylor (vocals), all three bringing their own interpretation and musical particularities to the project. Each musician chooses a line. Where there is a light, there is a sound. This can mean volume or intensity, depending on the instrument. The ellipses are total silences referring to the amount of deaths in Germany. The photos and the seasons act as a narrative frame for the compositions. In this frame one comes back to very basic transcriptions of sensations: where you have light, you have sound. A way to transcribe the feeling of torpor, uncertainty and the necessity to move forward each day, step by step.
TORPOR is part of the project CLOUDS ON CLEAR SKY, a series of events and performances on finitude, death and grief.
Laure Boer: »TORPOR« (2021)
Based on statistical data on the number of deaths due to the Covid-19 pandemic, TORPOR addresses the discrepancy between the abstraction of numbers and the personal experience. Light and darkness in the graphic score translate to sound and silence.on
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Tamara Friebel „Know Thy Swan“ UA 2022 Graz
Daniel Beilschmidt "Deine Nacht" Passion nach Johannes für Chor und Solisten + Instrumental-Ensemble 2020
Thomas Christof Heyde : Es kippt für 2 Violinen/Kontrabass/Kristallklangschalen Videoinstallation GFZK Leipzig 2013.
UA 2010/ Flöte Jeremias Schwarzer (recorderprojects.de) Electronics Tamara Friebel.
Tamara Friebel: "a fragmented hyacinth stain; sapphos fragment" with Hayden Chisholm Saxophon @ Alte Brüderkirche Kassel
Vladimir MARTYNOW:OPUS PRENATUM
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2022 Uraufführung Know Thy Swan by Tamara Friebel, Uraufführung Archipel von Hannes Lingens. +++ Stücke von: Chr. Wolff, M. Feldmann, J. Cage, Pina Rücker. mit Ingala Fortagne Sopran + Hayden Chisholm Saxophon
